The Aesthetic Characteristics Of The Late Nineteenth Century British Academic Painting And Value

First,with the liberation of the Art of diversity and people’s thinking, a number of thelatter half of the19th century academic paintings began to be recognized and loved, butreprimanded and blank the face of art history, people lack the most basic understanding of infront of the painting to show a kind of confused. Secondly, the School of painting of thisperiod occurred mainly in Britain and France, the United Kingdom due to ethnic andhistorical particularity of its School of painting more features and value and significance ofthe study. Dimensional, two points above the aims of the painting of the late19th centuryBritish School in the characteristics and value of two in-depth Investigate. I hope to givethis history a new understanding and evaluation.In the research process, primarily through iconography, literature and comparativestudies, divided into three sections to the advancement of research of the problem. The firstchapter starts from the literature study on the basis of a systematic exposition of the UK halfof the characteristics of the times, and suggests the inevitability and necessity of academicpainting to achieve prosperity, but also the painter of Leighton and the Alma-Tadema tworepresentative a brief description. The second chapter is the focus of this article, divided intotwo parts, first of all through the case analysis method, with the English in the history ofacademic painting and the same period of French academic painting were the comparison ofaesthetic features, and then in two parts, the iconography of the works to commence in-depth analysis to fully tap the works of America’s connotation behind the value of research andprepared the way. The third chapter is the difficulty of this article, start from the aestheticvalue and academic value and depth of its contribution to the development of art and, finally,the impact of its prosperity to do further analysis, seeks to highlight the value of continuity.The conclusion of the article, certainly the college painting at the same time, the future of theInstitute of Classical Painting show an expectation.