The Treatise Of Zhao Shuli Literature’s Rural Narrative

Zhao Shuli and his works is a special of Chinese literature history on the twentieth century, which represents the new words after the transformation in the40or50s. His qualities, the traditional and modern factors in his works, even about his evaluation become the object of literary expression unceasingly along with the change of political and literary and artistic ideas.Zhao Shuli adopted a new type of narrative way, namely country by internal narrative viewpoint, to reflect on the "may fourth movement" new literature and trade-offs, dig in excellent part of traditional literature, reflects rural performance changes in social reform era, which contains his ideal peasant liberation road.This essay attempts to make use of related narrative theories, combined with Zhao Shuli’s life, the creation, the evaluation and the background of times, to analysis the text and to dig out its novelty of literature narrative and value.This essay mainly through three aspects including the internal narrative of the country, the literature can be said and the traditional rural ethics, and the fusion of socialist revolution to discuss the novelty of the Zhao Shuli’s literature narrative. Rural internal narrative viewpoint of Zhao Shuli’s has been focusing on rural internal to the narrative, with peasants as narrating subject, will be major political events with the secular life in rural areas in the narratives, outsiders of the dilution of narrative strategy will external socialist ideas of input into rural internal self modification; The chapter "the literature can be said" considers that Zhao Shuli’s narrative language which can be side bridged the Chinese literature of the language and characters of the division of narrative language, and the narrative structure of the traditional keeps the story can be said and implicit the author’s modern ideals that completing socialist collective consciousness to the farmers by literature at the same time. In general, Zhao Shuli’s literature narrative presents the integration of traditional and modern, the traditional narrative implicit the author’s thinking about modernity and the liberation of the bottom, which makes his works have the possibility to beyond traditional and modern. And at the back of the country’s mode of narrative is Zhao Shuli’s position as farmers, which means the perfect combination between rural liberation caused by socialist revolution and rural traditional ethics, and then presents a kind of collective rather than a personal liberation.