On The Contemporary Oil Painting "Strokes" Language Research

This paper aims to study by contemporary canvas “brush language” research, revealed“brush painting language as the meaning, the role and its general law of development andalert in the extreme value concept we portrait and spirit of the vent today, don’t forget to“brush” pure painting language research and construction, adjust our art creation, spirit andattitude thinking. Because now more and more art workers are in with positive attituderesearch in the art of discipline their language, and as oil painting art student, also benecessary to explore, research, for further study oil painting art painting language. Paintinglanguage in the different times presents different face, of the contemporary Chinese paintinglanguage in China with the era of chaos transition background show and social background ofthe same confusion but and rich and colorful situation. This double-edged sword modernity inbring oil painting art more rich creative inspiration, to create content, the creation subjectmatter and the creation of the medium for material, technical means at the same time, highdevelopment of material civilization and bring more mental problems, social cultural issues,and so on, the traditional art creation idea by rising thought always impact. This situation isoil painting art transfer, change or challenge? When I try to contemporary classic from thecanvas work for the answer, strong feel “brush language” most can show a picture of theobjective concrete works, a painter and even a pursuit of the spirit of The Times with paintinglanguage constructions. And in Chinese contemporary art tasting, for “brush language”research but not saw. People are more interested in painting “the concept” sex thing. But these“concepts” sex thing not was about to through the “brush” painting language into pictures?Otherwise “concepts” where to talk about?“Brush” is not only the traditional sense of thefoundation of one of painting techniques, it is painting the art form of the idea of tellinglanguage expression way. The right “brush language” can appropriate complained of“spiritual idea”. Hope that through my discusses, can arouse people to “brush” pure paintinglanguage research and construction, they are in any age can’t be painting language researchand construction, they are in any age can’t be ignored and abandoned the painting.In the process of the full text discusses with the three basic research methods:1, interdisciplinary research. For the contemporary painting “the brush language” fromcontemporary sociology research must, linguistics, art, aesthetics, art history and so on relateddisciplines intersection and breakthrough for comprehensive research system do. This one,especially for “brush” language in different social background and different painter works theperformance of the application and aesthetic function of comb the, research and “brushlanguage” painter of the concept of the spirit of expression is especially important.2, theliterature research. Literature research is in the academic research of a kind of the mostcommonly used methods. According to the need of this topic, and I will read a lot to learn theliteratures, the subject of their guides and the role of verification. At the same time, still canbe in the previous literature material and research results of their research topic in the wholescene and history have roughly understanding.3, surveys. I will be through the exchange, thepaper, an analysis and other scientific questionnaire survey of the way, to the contemporarypaintings of the “brush language” to carry on the system the investigating, and theinvestigation of the data analysis and comparison, thus for everybody better understanding ofcontemporary “the brush language”, for future painting provides beneficial realistic basis.I will build my paper that: first research “brush” as the meaning of the painting language(the definition, origin and development, and the general effect painting and aesthetic interest),then statement “brush language” in the contemporary painting the performance (first accountfor the background: in “modernity’ this double-edged sword of the China painting the presentsituation; the began from modern painting research of two mainstream, a distinct culturalcriticism, have contemporary sociological theory of meaning conceptual paintings and adistinct spirit, is of linguistic theory significance directivity of paintings, and this to theirrepresentatives are typical of the painter work “brush language” and interpretation of thecomparison.) That “brush” painting language in contemporary the oil panting should givemore attention and research and to improve the performance of the painter’s spiritual pursuitpainting language. Then the basis out “brush language” in the contemporary painting in thedevelopment of new possibilities.(the future, brush of the abstract language would function,which highly improved function; many of the weakening Chinese painting technique willbring contemporary painting brushwork language many of new inspiration; in contemporary abstract, whether language can become the brush the most important performance means.)Finally, through the discussion above and research, we can draw the conclusion: in“concepts” sex painting become mainstream of contemporary society,“bush” pure paintinglanguage should be awakened, reveals artistic vitality. Because what kind of spirit “concepts”,he should have what kind of painting matching. The spirit of the painting language conceptand the development of the construction should be a supplement each other and commonprosperity of the process.