Research On "Su" Culture In Color Aesthetic Of Ceramic In Song Dynasty

Song Dynasty is the period of blooming material culture and spiritual culture in China.During this period, Traditional Chinese aesthetic culture transformation from the Tang perioddominated by Grand and powerful great magnificence changed to wield a feminine, soft, Inturn formed the China National implicit within the specific national features and aestheticculture. This shift to "su" aesthetic culture characteristic appears in ceramic color aesthetics insong. Song dynasty ceramics, with its stained inactive free glaze colors, simple decoration,snow and ice muscle for appearance of natural soft and natural feeling of "defect" has createda difficult to surpass the peak of Chinese ceramic art.This article is divided into four sections: The first part of the study "su" culture,combined with Chinese traditional culture of "harmony" and of traditional ideological andtheoretical, Pointed out that the "su" cultural is natural aesthetics of beauty, and toCommission a total of ethical concept, sugong white color concept in aesthetic culture.Parttwo from the social background analysis of ideology and culture, science, technology, andother aspects of song ceramics color "su" reasons of cultural and material base. Song ofpromoting culture and education, and inhibiting weapons policy; cultural center migratedfrom the North to the South, from the sublime into aesthetic culture dominated by soft; theFusion of Confucianism and Buddhism and Taoism advanced Simple beauty but elegant; anddevelopment of technology of the Song dynasty ceramics color glaze, ceramic colors in song"su" culture and perfectly presented. Part three the fusion of books and archaeological to findthe "su" characteristics of culture from the Song dynasty ceramics glaze color, decoration,the ceramic color defect three aspects.Part four "su" cultural implications in modern designwith color, draw "su" essence of culture, creating a modern design with Chinese nationalcharacteristics.