Happiness And Freedom Of Gypsy Wind

Anthony Dvorak(1841---1904), the Czech national music camp, one of the representatives, half of the19th century’s most respected world music’s greatest composers. Under the influence of music in Europe, the Czech Republic’s national music of Smetana has been greatly promoted by the improvement and development, followed by Dvorak The Czech music a place in the world music scene, although on of Dvorak’s there are a lot of music research, but research on their little vocal. Therefore, this first attempt to create Dvorak divertimento "gypsy" of seven art songs for the study, writing features for the analysis of music and singing style, a combination of research methods, and the use of music and text annotation phase as the way to explore the meaning and interpretation of the song method.Dvorak’s life, creating a lot of vocal music, rich in its genre, the large number of include:Opera,a music drama, oratorio (cantata, Mass),the solo piano accompaniment there songs, organ and solo, a total of duet, a total of choral music, mixed chorus of songs. His songs, and created its peak vocal divertimento "gypsy" is based on Bohemian lyric poet Adrian Roof, Adolf Heyduk (1835～1923) for the love of freedom sung by Gypsies poetry and writing, this work not only demonstrates the rigorous techniques of Dvorak’s creative, full of creative personality characteristics, but also embodies his distinctive national character, filled with patriotic passion song writing philosophy, known as the "Posey Mia’s a genius musician."This describes Dvorak from the creation to the final maturity from early attempts, and the formation of a unique creative style of the whole process started, roughly summed up in his song writing, the main features; then introduced the "gypsy" in the background, including the source of poetry and creative motivation; then poetry and from the meaning of each song, the musical structure, and tone of, accompaniment texture and other aspects of analysis, features the music of the whole work to be concluded; the last light of their own in practice analysis for a number of concert experience. It would like the author through this four-part study, attempts to explore the "gypsy" This divertimento best practices and the accurate interpretation of the concert, singing through research and to introduce people to be creative essence of Dvorak and learning for the future this work of vocal learners in the learning process and provide a theoretical basis, to more accurately grasp the style to provide some reference.