Semantic Evolution Research On Exper And Expert Of Wit

The “Experts” and the “Expert of Wit” are important concepts of the history of Chinese painting,Guo Hua system and framework defined is directly related to the grasp of the descendants ofGuo Hua of historical development and context. As a Chinese painting criticism terms, but alsoto build an important part of the theoretical system of Chinese painting. Today, along with the“Experts” and the “Expert of Wit” lack of context, contemporary compared to semanticinterpretation of the “Experts” and the “Expert of Wit” and its importance is still extremelyinadequate. The main line of the historical evolution of the order to commence the proposed“Experts” and “Expert of Wit” two words and semantic change research, interpretation, the finalsummary of the formation of a comprehensive, three-dimensional research.Study in the framework of this paper is divided into two parts: the first part starting from theoriginal “Experts” and “Layman”, begins with a brief analysis of the concept of “Expert” and“Layman” and opposition, and re-painting first presented “Layman” Hua to interpret from thescholars involved in historical perspective. The second part inherited from the previous section,the focus of this article is mainly based on the perspective of the historical changes to theconcept of “Expert” Toshiie: Su Shi "Scholar hua" to Qian Xuan refers to the "Shifu Hua" onbehalf of “take calligraphy into Guo Hua”, painting theory and practice has been out of touch;Zhao Mengfu behalf of “take calligraphy into Guo Hua” descendants of Zhao Mengfu, QianXuan dialogue of Layman Hua “mistakenly change” as the “Liman Hua” is a new paintingtheories have corresponding development of the practice, the concept of “literati painting” thispractice and theory summarized, its also contributed to the “Experts” Toshiie mode; DongQichang “Northern and Southern School” is another angle mode, and “Experts” and the “Expertof Wit” dichotomous model both connection, but also different. However, there are manycontradictions in the dichotomous model of rationality.The epilogue to contact reality, the First, the brief Huang Binhong painting pursuit theMaster’s Hua and contemporary Shanshui Hua lack of context of the “Experts” and the “Expertof Wit”, including the background, reasons; and then for the development of contemporaryShanshui Hua, the “Experts” and the “Expert of Wit” modeled mode of succession to thereference value of today’s landscape: the “Experts” and the “Expert of Wit”painting system onthe root of the problem, return to the body can have a better normative sense.