The Fall Of The Soul Hope Of Nothingness

Since the drama this "import" was introduced to China that momentonwards, many dramatists began the arduous text creation and artisticinnovation. Until the advent of1934,"The Storm", modern Chinesedrama, and art truly toward maturity. As the founder of modern Chinesedrama, Cao Yu,"Thunderstorm","Sunrise","Wilderness","Peking Man"and "home" five representative works of a series of artistic initiative, inparticular, he shaped excellent image of the drama is a timeless classic ofmodern Chinese literary history. Good tough, persistent pursuit of theirown well-being of women to let people see the profound and exquisitecreations of the master dramatist skill. Cao Yu is also the existence of agroup of distinctive male image, they are a group of stone carving oldChinese feudal ideological imprint of man. From juvenile and adult to oldage, the capitalists, the poor from the countryside, farmers, landowners, tothe city bullies and riffraff, the feudal family from a small family to asmall door in the rural city, Cao Yu in the five works to shape Male Image in virtually every aspect of all ages and social classes. Althoughthe image of the rich vitality of women are still critics who relishHowever, as a male writer, in the grasp of the male image creation, CaoYu is still on, or the most insight and awareness of men’s emotional andpsychological. In their life and death and emotions can be seen whetherthe choice of survival and revenge, or love and moral trade-offs in theirhearts and souls are burdened with a huge mental burden. Cao Yu in thebody of the male characters of the old China have devoted infinite loveand hate, and this love and hate but also constitutes a male image of theplay spirit toward accurate analysis of Cao Yu, this male image in whichpeople can be deeply to a taste of an old China, the vicissitudes of thehistory of spiritual development. Starting from the human point of view,the character image of the spirit of these men, living circumstances andcharacters’ psychological analysis and comb-depth exposition of thedecadent feudal ethics and systems of these male images in the spiritualand psychological devastation and damage. Through these menembarrassed, weak to survive the status quo reveals the ugliness of the character defects of character and soul, and reflects the family culture,and patriarchal male dominated society in that they are endowed by theirstrong and privileged to bring them all sorts of bound and corrosion, digout the hidden in these men the image of the huge cultural value andsignificance, a reflection of the reflection and torture of Chinesetraditional culture.