The Study Of Sing Pattern Of Folk Songs In Guangxi Da Miaoshan

Guangxi official folk song is sung in Liuzhou, Guilin, Hechi City and northern Folk Songs, and that song is popular in the local Han and minority nationalities.Official songs with the local population living close everywhere official folk song singing in the local folk festivals (such as Singing Fair, Miao slope will, etc.), Life Rites occasions and everyday life.1980s, the folk songs of Marriage, national exchange and an important link between the formation of ethnic cohesion. As society changes, the official folk songs put into the network media and the market economy, participating in government, corporation celebrations and other occasions,and the singing mode, singing place and function and significance have changed, From villages to towns, from the spontaneous behavior of the people into a government-led, civil supplemented by self-entertainment features evolved into the geographical and cultural identity.Da Miaoshan region is the most important region for the song.Such as Miao, Yao, Zhuang, Dong, Han and so on. This passage is the study for folk Singer Li Long-qiu and his groups, emphasising on the Liang family in the village environment and urban circumstance, King of group singing activities, The living space of the generals, then folk songs, music of the ecological chain, melody, lyrics, structure, and singing form, as well as related cultural factors reflect the regularity summarized as a regional singing mode. Description and summary of the official folk song singing mode and singing mode generation and transmutation context. Ultimately, a comprehensive understanding of the social mechanisms and cultural patterns of the seedlings Mountain region singing and the formation of the understanding of their cultural existence, respect and recognition are formal.Through the analysis, discuss of the full passage, we find:the mode of thinking, speak to songs, improvisation, arrangement and vocals are the three basic characteristics of the official folk song singing. The long-term collision and fusion of the Baiyue culture and Han culture are the most important. Because of the difference in Da Miaoshan’s geographical and heritage, the style of songs implies a geographical and ethnic and cultural information. At the same time, the exchange of convenience and a strong cultural identity of Chinese dialects greatly promoted the spread of the Mandarin folk songs in different regions and ethnic groups.The preliminary study of Da Miaoshan’s official folk songs can provide for the holistic study of the music culture of the Lingnan region cases. Besides, it can conducive to a better understanding of common features in the musical life of different ethnic groups in the same spatial and temporal conditions, which helps to promote the progress of China’s academic circles in the study of Han and minority music.