Theories Of Calligraphy Of The Late Ming Dynasty In The Horizon Of Mentalism Theory Studies

Late Ming Dynasty, what’s Fuzhi Wang called "a period of the effects of the crack doom", has changed dramatically from the economic field to the ideology field, with the traditional morality, ideal, concept, suffered a tremendous impact.In the field of thought,the Mentalism theory of Wang Yangming has got the official recognition, rose to a prominent position and become to be popular at this time.critical,once even o replaced the Neo-Confucianism becoming the official ideology.Mentalism theory of Yangming Wang includs:self-confidence heart, unity, for life itself. Its essence is the principal subject of will. Mentalism theory of Wang Yangming especially the Taizhou school has opened the movement of liberation of personality, and also became the academic source of aesthetics thoughts of the late Ming Dynasty. Changes in the performance of the aesthetic fashion including:realm in the aesthetic showed that "I am in",aesthetic style embodied in the "natural",there’s no "way"in the aesthetic creating work.In addition, Zhi Li’s " thought of children’s psychology ", Xianzu Tang’s "sentiment thought", the "soul" of the Gong An school also reflected the true disposition, the impact the Confucianism. Calligraphy criticisms with the color of Mentalism theory also appeared. Wei Xu’s "I am in" thought,Rihua Li’s "spirit" thought, Huanguang Zhao and Mu Xiang’s sticked to the tradition but not limited by law,Linchu Tang’s "terrain" thought,Duo Wang discarded the classics and rebeled against orthodoxy, Qichang Dong’s thought came from Dhyana and Mentalism theory’s "be at ease" and " self-satisfied" internal logic.