Analysis The Beauty Of Color In Yangjiabu Woodcut New Year Painting

Chinese folk art has a rich cultural connotation, such as the harmony between man and nature, and, artistically, mood and beauty are an important part of. Yangjiabu Woodcut New Year painting as part of the Chinese folk art, Chinese traditional aesthetic and ideological subtle influence Yangjiabu Woodcut New Year painting creation. Yangjiabu Woodcut New Year painting color by Western aesthetic formed a diversified development trend in the pursuit of change, inevitably constrained by social discipline, and also reflects the utilitarian features, the German philosopher Immanuel Kant once said United States utilitarian Yangjiabu Woodcut New Year painting utilitarian reflected in-mass production, raising the painting to sell, but the the utilitarian tendency aesthetic characterized "Shin-oriented" is materialized to the spirit of a conversion, it is the front of the "good" form of sustenance they desire or the pursuit of beauty.Accompanied by the development of Chinese folk art. Yangjiabu Woodcut New Year painting is also in constant change, more demands on the aesthetic, from the initial generalization, a complex understanding of gradually moving towards simple, honest beauty. Under the influence of various factors, Yangjiabu Woodcut New Year painting around between the color characteristics of both common and also retain their own unique, not the face of the same. In this study agree with Woodcut New Year painting around the common characteristics of the premise, trying to explore and show Yangjiabu Woodcut New Year painting color characteristics unique comparison Yangjiabu Woodcut New Year painting with three famous woodcut New Year painting works and analysis its color characteristics, from the level of market demand for interpretation of its future direction. The color performance ensure that Yangjiabu Woodcut New Year painting at the same time actively explore it unique aesthetic characteristics and social value, and then reflect on and re-building the heritage of the New Year. Yangjiabu Woodcut New Year painting not only in order to find and pass on the previous shoe marks, so that we can continue to tap the traditional culture of this resource is more of a hope to seek a kind of beauty in traditional cultural regression. Thus effectively Yangjiabu Woodcut New Year painting folk art protection and heritage, and promote the communication and integration of traditional folk art New Year with the world art works exploring the practice.