Tibetan Theme Creation And Research Of Chinese Figure Painting

Tibetan theme of Chinese figure painting can be said that the solidarity of the Chinese nation and the merging of cultural crystallization. It covers reflect the state of the Tibetan people living history painting, Different era language exploring the use of Chinese painting performance Tibetan theme of the painting, The same time drawn a Tibetan areas in the image of the history of centuries of social development, In the creation, through the efforts of countless predecessors left us with the classic works abound, It is precisely because of the pay of those artists that makes this period of the history of art is full of magnificent national colors. For now, the performance of the the Tibetan theme of painting works and painter uncommon, but for the theoretical study of Tibetan theme is still small. It’s extremely necessary to delve deeper, the basis of the practice of the extension and expansion of the theory, will promote the development and innovation of Chinese Ethnic Paintings in this area.Tibetan theme of Chinese figure painting as the main line of this article, Retrospective on the early development of Tibetan art, Combing and research since the founding of New China, the evolution of ideas and means of expression of Tibetan theme of Chinese figure painting update, And analysis of the works of the painter of the combination of the representativeness of each period, Tibetan theme of Chinese figure painting creative focus mainly in the national spirit and national dress. As well as aspects of the secular and the religious life of the Tibetan people, Combined in recent years the moment the painter and outstanding works from the works outlook, operating layout, the national colors, During thesis writing, the author collected collate literature data and image data, and a lot of ink practice and creation. The full text is divided into five chapters, the first chapter is a statement of the early Tibetan Buddhist art, painter and works second chapter content combined analysis of two development period after the founding of carding, analysis Tibetan theme figures paintings focus mainly summarized as prominent national spirit, the unique expressive costumes, folk and religious festivals aspects. Chapter IV through these four aspects of the works look, layout of operations, national colors, and modeling language, Tibetan theme portraits.Especially in the modeling language combination in the master’s creative practice during. analysis, Realism and Impressionism inclusive performance of both methods were explored. Summed up the creative process portraits not only in the real image of uncompromising attention to detail, as well as operating in the "blank" of scrutiny in order to obtain the "Global are good artistic effect. Correctly handle the relationship between the two, to do "realistic" form of "impressionistic" harmony and unity is crucial. In the last article is the author of Chinese figure painting the Tibetan subject matter of the present moment, the existence of the phenomenon of thinking and humble opinion. First, the loss of the spirit of traditional Chinese culture; painting performance reflects the formal style single; theoretical guidance relative to artistic practice lag.