Mozart The Three Operas Soprano Aria Analysis Of Singing

Wolfgang Amadeus Mozart,1756～1791.Austria composer, is a rare geniusmusician in European music history, one of the main representatives of the Viennaclassical music, plays a great role in promoting the development of European music.Opera is the most important in the field of Mozart music, he composed22operas, Heonce wrote that " for me, the first opera ". Thus, in his music creation of operapreference.Mozart’s opera has always been favored, he stressed that music main body statusin the opera, stressed that music for creating characters and reflect the role ofpsychological activity. This paper will try to through the research literature,summarizes method, case study method and classification method, on Mozart’screation of " the marriage of Figaro "," Don Juan " and " the Magic Flute " in thethree operas selects four representative soprano role of Susanna, Ber O, Cerina andEve after together analysis of each selected two songs, and the corresponding aria oncharacters and aria to sing, to realize the importance of correctly grasp the operafigures, detailed interpretation of characters by analyzing.This paper is divided into four chapters, the first chapter is the introduction,through the relevant books, journals, papers collected about Mozart and image data,understand the present research situation and the results of research on this topic, andthen explains the significance of the selected topic, the main contents, and researchmethods. The second chapter is Mozart and his opera art, first describes Mozart andopera creation process, then the style characteristics of Mozart’s Opera outline. Thethird chapter is the description and interpretation of soprano roles in Mozart’s operas,the author firstly outline of " the marriage of Figaro " plot, figure analysis of thesoprano role of Susanna and the countess opera respectively, and each selected twoarias of aria analysis. The opera " Don Juan " plot to the analysis of the characters,Zerlina, Cerina and the two aria aria analysis. Finally, the synopsis of the opera " theMagic Flute ", analyze the character analysis of singing and two aria for the sopranorole after night. The fourth chapter is a correct grasp of Mozart opera soprano ariastyle...