The Theory Of Landscape Painting Aesthetics Of Gully

By Northern Song Dynasty, the Chinese landscape painting had gradually formed a traditional creating idea that landscape embodies its true meaning with beautiful images. Chinese painters are good at learning from the nature. The mountains of the landscape provide a function of making the painters travelling around the world without going outside’for the painters to input their feelings into the beautiful landscape. In this way, the aesthetic standard of the Chinese landscape painting has formed. The decline of the Chinese painting in Qing Dynasty and the influence of the ivestern painting perception in modern and contemporary times weakened the aesthetic standard of the Chinese landscape, leaving it devoid of content and superficial. The author thinks the art of the Chinese landscape painting has formed a special and unique art system full of oriental philosophy and is based on the special world outlook and view of time and Space of the Chinese landscape. However, both the traditional world butlook of’the fusion of man and nature’and the view of time and space that’enjoying the painting can give you a feeling of travelling inside’ influence and determine the painters to dig and express the Chinese landscape deeply, which leads to the formation of the’Three-far Painting Style’in the field of the Chinese painting. This article is attempting to discuss the concerning issues on the aesthetic of the mountains in the Chinese landscape painting.