Early Modern Express Relationships In Urban Pop Songs

The early urban popular songs produced in Shanghai about1927,was the continuation and the tortuous reflection of the May Fourth NewCulture Movement. The view of modern love and marriage in the songsis built on the basis of the equal and free independent personality, tooverthrow the norms of human relations in the love and marriagerelations under the feudal society value system. Modern expression ofthe loving and marriage relationship in the lyrics is one of the importantcharacterization of the aesthetic modernity development process,reveals the profound and rich cultural connotations and unique anddazzling humanity brilliance.This paper embarks by the lyrics texts of the early urban popularsongs, explores the emergence of the modern love and marriage viewin the song, analysis of the modern expression of the loving andmarriage relationship in the lyrics. elaborates the esthetics modernityand the historical value of the love and marriage relationships in the20th century early urban popular songs, exploring its enlightenment onthe creation of the current pop music. Through to the early urban lovesongs analytical study, the paper inquires about the foundation and thesocial value of the modern love and marriage view, reveales the songson the assent of individual rights and the full emancipation of thepeople. The early urban popular songs continue the new aesthetic spiritof Seeking truth and realism started by the May Fourth New CultureMovement, playing an important role in promoting the development ofcontemporary urban culture.This dissertation is divided into five parts. Chapter one is The EarlyUrban Popular Songs And Modern Love and Marriage, mainly from ahistorical context to describe the birth of pop music, the transition fromtraditional marriage to modern love, from which mining the motivation of the modern view of love and marriage eulogized by the popularsongs; Chapter two is Modern Expression Of The Love And MarriageRelationship, mainly using the method of close reading, details theconnotations of the love and marriage relationship of the early urbanpopular songs,from "the free love of the urban youth ","the urban newfeminine’s ideal partner image "and "the harmonious marriage inmodern civilization " three angles, analyze the love theme of the earlyurban popular songs; Chapter three,The Interpretation Of The RomanticRelationship In The Early Urban Songs,based on the chapter two,interpret the self-awakening of female, the shake of the male powerthought and the modern love and marriage relationships of lifelongequality between women and men in the songs; The fourth chapter"The Aesthetic Modernity From The Love And Marriage Relationship OfThe Early Urban Popular Songs ", reveal the conscious aesthetic pursuitof the early urban popular songs under the interpretation of the loveand marriage relationship. The publicity of the individual rights,theappeal of social responsibility and national mission, and the modernnarrative way which seeking truth and realism,all of these are themodern aesthetic practice in the field of music brought from the NewCulture Movement; Finally, the fifth chapter of " The HistoricalSignificance And Contemporary Inspiration Of Modern Love AndMarriage View In The Early Urban Popular Songs", expounds themodernistic embodiment of the songs in ideas and style of writing, andpointed out that the significance of social modernity and the process ofaesthetic modernity, playing a role model and reference to thedevelopment of the contemporary pop music.