Landscape Painting Of True Temperament - Read Niyunlin Landscape Painting

People to learn traditional Chinese painting, be sure toresearch the ancient painting, to learn the essence of the ancients,to study its inner spirit, not only its appearance, to use one’s ownnature to understanding the secret of it. Chinese painting,especially paintings, is used by physical romance, care ofstatement, therefore, rendered in the artist’s pen is not only theaesthetic ideas of the painter, is also the embodiment ofphilosophy. The seeds of the Chinese landscape painting andrecluse literati spirit of the mountains are inextricably linked, theYat grid landscape is due to the organic combination of theelegant and natural landscape of the artist’s lifestyle, theperformance by the artist in the form of literati painting. Each timethe style is formed in a specific historical context, Ni Yunlin’s"Manhattan" is also the style of a particular historical period. Thispaper describes the true nature of a dull and lonely in the Ni Yunlinpainting style of the show; the first chapter: the life of Ni Yunlinbriefly study the formation of his character and style; Chapter II:narrative historical overview of the Yuan Dynasty paintingseclusion wind of the formation of roots. Chapter3: describes thecultural ideals and the pursuit of the specific historical conditions and living environment of people and a unique aesthetic taste:"refined" and the perception of natural, self-entertainment"concept and Yiping "pursuit of Yuan Dynasty literati landscapepainting aesthetic taste. Chapter IV: In this paper the performanceof the Ni Yunlin landscape, achievements and impact. Dull andCoolness is the the Yunlin landscape characteristics; the word"magic" is the sentiment of Yunlin on the landscape; lonely inYunlin County. Yunlin is representative of the "Yige landscape; hispainting style, deeply felt aesthetic taste of the Yuan Dynastyliterati of this particular period, so that we can be more profoundwhen studying other school of painting understand the root causeof each school of painting style; the reference for their own futurein terms of creative practice and theoretical studies of thelandscape.