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Theory And The Background Of The Characters In Chinese Painting

Posted on:2013-01-28Degree:MasterType:Thesis
Country:ChinaCandidate:Y BianFull Text:PDF
GTID:2245330377953439Subject:Chinese painting figure
Abstract/Summary:PDF Full Text Request
In the traditional Chinese painting long developing process, thehumanity must be earlier to own expression than to the natural environmentdescription. Therefore moves the background as the character the naturalscenery to neglect for a long time, in the long time is in the design thedecoration time.The Five Dynasties two Song times are the traditional Chinese paintingrapid change development important periods. This time, not only thelandscape painting development has achieved the mature perfect boundary,moreover the portrait has also achieved the person and the backgroundperfect fusion in this time. Song Dynasty’s portrait increased thebackground third dimension, causes the picture the plot expression natureto be smoother, and thereby builds the poetic sentiment space which isin perfect harmony.During the Ming and Qing Dynasties of figure painting in thecontinuation of the Song Dynasty painting expression patterns moreemphasis on the expression of subjective feelings. The characters in thepicture and background processing through the clever white cloth and thewriting style of free essential to convey the subjective emotion interest,so that the screen literature to be fully expressed, gradually has formedits own national characteristics of the painting language.
Keywords/Search Tags:Zygote, Inosculate, Poetic beauty, Expression ofintention, Symbolic
PDF Full Text Request
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