Rembrandt Painting Brush Strokes

Expressive painting strokes emphasize an important feature of modern painting, however, the appearance of strokes in the painting is not the modern thing. However, the people, especially artists recognize the existence of paint strokes, and then the performance of the results obtained by the stroke, there is one from spontaneous to conscious process. In this process, the17th century Dutch painter Rembrandt s art is an object of particular concern.Rembrandt s artistic development has gone through a smooth style from the early to late transition rough style. The art of the early Dutch school of painting by the then prevailing smooth, sophisticated aesthetic impact of this interest is Netherlands where the realistic style of fine double Ike formed under the background.The Rembrandt art was out late this tradition and the present constraints of popular taste, began to use pen to show his unique visual experience and life experience, coupled with the unfortunate middle‐aged family tragedies began to impact, but not so full of artists does not show the inherent desire to go beyond this inner impulse to external social constraints once, to have a strong artistic originality of the force.Rembrandt s artistic development has gone through a smooth style from the early to late transition rough style. The art of the early Dutch school of painting by the then prevailing smooth, sophisticated aesthetic impact of this interest is the ideal Italian Renaissance art since the formation of the early concepts and the Netherlands where the realistic style of fine double Ike formed under the background The. Rembrandt art was out late this tradition and the present constraints of popular taste, began to use pen to show his unique visual experience and life experience, coupled with the unfortunate middle‐aged family tragedies began to impact, but not so full of artists does not show the inherent desire to go beyond this inner impulse to external social constraints once, to have a strong artistic originality of the force. form of stroke problems, which involves a lot of work on the detailed analysis of Rembrandt. Secondly, this emphasis on art history and cultural context of the analysis in the hope of art phenomenon rooted in the social soil. In addition, the study also note that use of comparative methods, because the form only in comparison to feature prominent, and the artist s personality and other artists can only be reflected in the comparison.Brush painting itself is a benevolent see benevolence and the wise see wisdom in the topic. This article does not want to give a definite conclusion of a single, but hope to start the stroke of the master and works in the form of traditional features and significance of the concepts and art techniques for strokes, and the theory of lines, pen, color, touch and other the meaning of the concept of relationship between species one by one do not want to distinguish, the starting point and purpose of the study but, with his painting practice, artists and their works in the observation and interpretation of the visual and vivid understanding of production.