Debussy's Piano Music Creation Concepts And Forms Of Value Judgment

At the end of the nineteenth century and in the early twentieth century, with thedevelopment of the western music history, classical, romantic and traditional musicstyles are under the influence of many factors, faced the collapse and reconstruction.As an independent school, the piano music of Debussy has been paid attention in thethe historical process. At the same time as the representative music composer of "impressionism", Debussy has been the subject of researchers. Based on the Chineseliterature collection situation, domestic scholars mainly focus on the research oftechnology on Debussy’s piano music, but less on the degree of matching theory onthe creative conception. So the study of this problem from the angle of musicalaesthetics still exists some space at present. This paper tries to set out from this angle,putting Debussy’s piano music creation in the whole music history developmentprocess, with the historical value of a certain understanding and cognition. Itsdifference from the traditional concept of creation is the breakthrough point, andthrough many factors of the creative concept, I try to summarize the generalcharacteristics of Debussy’s piano music creation, and then find the guidingsignificance of creation idea in the creation of music form.At the same time, with thespecific music practice analysis being the basis, we have some extent effectivereflections to the composer’s abstract creation concept. In this process, we try to showthe music aesthetics to perceptual knowledge as the basis, rational analysis andprocess discipline characteristic. Through it drew lessons from the music historyresearch method, it formed a certain degree of cross-discipline, so that we canexplore the significance of subject language, then do some initial value research onDebussy’s piano music creation in music aesthetics.