| " The Twenty-four Modes of Poetry" is a unique,charm of classics on thehistory of Chinese literary criticism. Its charm lies in its" poetic" special critical style.Therefore, it has the dual attributes of poetry and poetics. This paper is mainly directedagainst the"The Twenty-four Modes of Poetry" of the dual attributes.The preface of thisarticle begins with a review of the" poetic" process of historical development,discussing the" The Twenty-four Modes of Poetry" and background of the Tang Dynastypoetry poetic relationship.The first chapter discusses the" The Twenty-four Modes ofPoetry" of the" poetic" Ideological origins.The second chapter discusses" twenty-fourstyles" of the" poetic" language art.The third chapter from the use of imagery andartistic conception to build two respects to discuss" The Twenty-four Modes of Poetry"of the" poetic" aesthetic space problem.The fourth chapter studies" The Twenty-fourModes of Poetry" of the" poetic" in the theory of intertextuality. |