Structure Of Scriabin Piano Sonata Thinking Development

Alexander Nikolayevich Scriabin is influential in the history ofmodern music of a composer, his piano sonata creation throughout thecomposer music career always. This paper Scriabin with three differentperiod of the three sonata music text analysis as the research object,trying to explore bin structure of piano sonata, Scriabin thinking indifferent stages of development and changes in the traditional sonataon the basis of inheritance and innovation.Full-text is divided into four chapters, first chapter for thelaureus bing background music creation, including the social background,the composer’s introduction, music creation and philosophical ideas andScriabin three writing stages of four chapters. Content of chapter ii,chapter iii, chapter iv, respectively, is the first piano sonata toScriabin, fourth piano sonatas, the tenth piano sonata music textanalysis, each chapter includes two content analysis of melody stylestructure analysis and the characteristics of music.At present domestic to Scriabin music works most of the researchanalysis for individual works, and relatively focused on the harmonytheory of technology level, for the composer structure comprehensiveresearch and thinking level for a particular genre of works throughcomparison research is relatively small. Because of this, this thesis aimed at Scriabin piano sonata for different periods of the comparativeanalysis research, hope to be able to structure of Scriabin supplementto studies of changes in the development of thinking, so as to furtherenrich the studies on Scriabin ’s composition techniques.