Theory Of The Modelling Of Contemporary Brushwork Figure Painting Language Features

Painting is the art form, is the artist give full play to theinitiative, to convey the expression of the aesthetic experience of thesubject to the object through the creation of knowledge, the objectiveimage analysis, abstraction, generalization. Relying on the Chinesefigure painting in the course of the development of Chinese native culture,and gradually formed a modeling language and painting unique, reflect theobvious characteristics of the Oriental mind. The characteristics ofChinese painting is to maximize the pursuit of other interests, otherproblems of figure painting is always the most important problem in figurepainting, other directly related to taste, quality high, change the styleand the school was founded as a breakthrough from no other, reform ofChinese characters painting of the last century from the introduction ofWestern science is the other as the breakthrough point. Along withsociety’s not as well as the development of modern science and technologychange rapidly, Chinese ink figure painting development also presents adiversified development trend of the times. This paper focuses on theproblem of other interest, as an important branch of Chinese painting inkpainting think: modern figure painting that can absorb the Chinesetraditional aesthetic ideas and can learn from the western modern art ideawith the modern people, explore the ink modeling system of their owncharacteristics of the times.