Shandong Heze Folk Song "baoleng Tune" Research

Chinese folk song had such a long history. National culture is the core of a nation,and the folk song is the most important part of the national culture. He Ze folk song inShan Dong had quite unique style and feature, that came from local people’s cultureand lifes.He Ze folk song Bao Leng Diao was a typical folk song which came from thesouthwest of Shan Dong, where called Cheng Wu county. It is a kind of coloraturafolk song. Bao Leng Diao was a very popular folk song spread through people bypeople as an orally melody. Since Peng Li Yuang sung this song, it becametransformed to different form of arts, such as Gu Zheng music, Dance, etc. Because ofits high academic value, it enrolled in the intangible cultural heritage in2006.Nowadays, with modern arts developed, it still had its value to research on as aculture heritage. As a local, writer hoped Bao Leng Diao could constantly inherit inhistory. For this reason, writer attempted to research all kinds of information for thissong, and gave entire analysis and explanations. Hoping that reader can deeplyunderstand the feature of this folk song, and reinforce comprehend in details. Let BaoLeng Diao keep singing by generations.Except the foreword and conclusion, article is divided in five parts. The mainconcept and creative points are written in chapter three and chapter four. The firstchapter is general idea of He Ze folk song. It is a summary of He Ze folk song’s history background and features, and overall view of Cheng Wu folk song. Thesecond chapter is a general survey of Bao Leng Diao music feature. It shows thegeographical environment where music came from, the history and development ofthis song. In addition, there is a conclusion and analysis for its academic value.Chapter three indicates the musical comprehensive analysis, includes features, lyrics,music form, and harmonic. Chapter four shows a thought about Bao Leng Diao whichcame from performance experience, simply present technique of run-cavity, andcompared between different versions. The fifth chapter is about folk song’s inherit anddevelopment. The author hope through the study of He Ze folk song Bao Leng Diaoto protect the non-material cultural heritage as an own strength, hope the social fromall walks of life through the understanding of the knowledge begin to pay closeattention to and protection of ethnic culture.