Font Size: a A A

Actors Play Rhythm Of Creative Research

Posted on:2014-01-31Degree:MasterType:Thesis
Country:ChinaCandidate:T ShenFull Text:PDF
GTID:2245330398953960Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Performing Arts as an art, it is one contains music, dance, the lens before thestage of fine art forms the general category of art; various comprehensive collection ofart and the external manifestation. From the ancient ritual, traditional Chinese operaart, from modern Chinese dramas to contemporary film, television art, are covered bya performance element.Performing arts development and changes with the times, making the dramaPerforming Arts from the generalized Performing Arts which spun off as anindependent art system, then classified as drama performances, film and televisionperformances, performances on the stage and in front of the camera performances.Both performances are inseparable from the performers-actor. Among these, theperformances on the stage, the most stressed in the drama performing arts actor for therole of internal and external uninterrupted experience and reflect, so as to stimulatethe actor performances desire to create an accurate grasp of stage time, space, andshaping the role through a series of time and space within the stage action and,therefore, how to organize the stage action has become an important topic in thedrama Performing Arts.Motion of all things in the universe is an objective reality, this movement ofchange exists in every corner of life, art from life than life, but also can not escapefrom this change in movement, drama Performing Arts as art, even moreindispensable "changes in motion","motion of" We call it the stage action. If the stageaction is the outward manifestation of the movement, then the internal laws of therhythm is the movement of the stage action, this law of rhythm is what we have to say,it includes both the rhythm of the internal (psychological) action, including external(physical, language) the rhythm of the action, the same internal and external action isan important part of the whole part of the rhythm.Changing the development of the trend of world art, drama performancesdiversity that shapes the affect performers creation in rhythm many objective factors. Theater-style pattern complex; differences in the different styles of the director’sdemands; provisions of the situations in the story reveals progress; arena relevantfactors have varying degrees of impact drama performers creation of rhythm.In addition to the above-mentioned objective factors, actors as the main rhythmof for drama performances creation the subjective forces. Actor for the role emotionalgrasp the experience of its ups and downs, reflecting; mutual exchangeBetween actorsand many other subjective factors also affect the rhythm of creation of theirperformances. And contemporary drama artist also starting to focus on the rhythm ofthe performing arts is more diversity, the special nature of the variation of the areascovered able to expand to a greater extent.There is also an important part of a drama Performing Arts-audience, dramaperformances, art depends on the audience, appeal to the audience; resonate with thecontrast in rhythm with the audience aesthetic process; audience for the actor’sperformances creation counterproductive, at the same time, the actors interactiverelationship of Theatrical rhythm for debugging. Rhythm is The actors convey to theaudience of "information" channel, the actors only reasonable control of the rhythm ofthe creation of the drama performances, and the reaction of the audience carefulperformance of rhythm and debugging more accurate delivery information, in order tomake the audience from emotional resonance, rational thinking toward emotional andrational combination thus consciously participate in the performances.The drama performance art is the art of practice, no absolute theory at all. Theactor drama performances show the creation of rhythm theory is also kept with thedevelopment of the performing arts development and changes, only to realize thatrhythm for the practical significance of the drama, performing arts, to be able tomakes the actor’s creativity to a higher stage in order to better inheritance anddevelopment of drama Performing Arts.
Keywords/Search Tags:Drama, performing arts, performers, stage action, rhythm and objectivefactors, subjective forces of the audience
PDF Full Text Request
Related items