Research On The Conception Of Contemporary Chinese Landscape Painting

Oil painting as a kind of the external sources of the painting are the form of, in from the to incoming China began to, on the experiencing in with the with the the of the collision and fusion of of the national art, moved toward the of the away of innovation. In the the China’s culture large under the environment of, the oil painting growth, the inevitable will be marked with to the the the stigma of of China culture. How5,000years of Chinese traditional culture and spirit into the creation of the painting, Chinese painting artists explore content. How to make the the oil painting to has a Chineseness, the quality of being Chinese. China’s traditional painting derived from the calligraphy and literature, the artistic conception was originally appear in the the literary theory, is the the expression of of the a kind of poetic. Then in the landscape, scenery write love scene fusion is the mood. The artistic conception in the more importantly, still people in on the with the the of expressing affection of the natural scenery, by the the King hygiene conditions. Put the objective things injected into the the the breath of life, to reached the the realm of of the scenes that blend to After a artist thinking of emotion exert a favorable influence, and then by the of the processing of the art techniques, and thereby to the performance of the the sense of beauty and poetic of the screen, known as artistic conception.In this paper, trying to from the the the most important part of in the the artistic conception this of Chinese Aesthetics in carried out explore the, To investigate the the Chinese Oil Painting in the the historical and cultural of in the unique to China, how to conduct of Chinese and Western fusion, how to in the the develop themselves to a high level of excellence recreated and revitalized, showing a diversified the development trend of. The artistic conception in the the Chinese Oil Painting how to the performance of the, become artists of the Contemporary Oil Painting important of exploration,, because, with, there is no any of an artist of, there is no an artist be able to not subject to influence of traditional culture can also be made, you can Piediao own cultural to participate in the creative, withdraw loitering in the new the field of culture go painting, art history does not exist, this art is like a lost soul. Similarly, the newborn culture, also in rich the our souls, it is in the for our the soul of inject fresh the blood into the, it with the the mutual Contact of the of traditional culture, making our the. Artistic conception alone and the aesthetic vision constantly upgrading the. China’s of the freehand brushwork Landscape Oil Painting home who, living in the the traditional culture and Western the the superposition of of the emerging ideas in the, China’s the art of recipients of were also living in the the such an environment, For the the at the same time of the traditional art heritage, also need to constantly to accept the new philosophy and techniques of. In this way, For to the the ever-refurbished the artistic conception aesthetics only the the significance of of the study.