The "Kuso" Of Chinese Contemporary Art Expression

From the20th century,"Kuso" in contemporary art has been controversial and compelling, whether it is a Kuso of traditional and classical or popular forms and symbols in the mass culture, are in art "ulterior motives" artistic creation.Who is going to make it a spoof is not important, the key is to extremely ordinary everyday things or authoritative classic, to give it new words and new ideas and perspectives, so its original role was disappeared puts forward this view is dadaist Duchamp, it is opened to "divert" in contemporary, make joke this way more "rationalization" and "generalization". It breaks with traditional art idea and the back under the background of modernity, challenge the spirit of pursuing personal unique modernism in the form of vocabulary and attempting to criticism and reflection about it. Information era of globalization, map reading, the other is another driving force, and parody, with the inevitability of it, make full use of parody objects bearing wear by the rich information and visual experience through the context changes, to complete its traditional art means difficult to realized function of art, to art maximum close to the public.Kuso is just a way of creation, the style is the result of the creation comes out, rather than the creation of the premise, if limited by its original style and parody, then lost art pursuit of spirit and connotation of parody, admittedly, has a need for carefully guarding medium cultural homogenization brought about by the loss of individual character style.This paper chose from the perspective of parody to review domestic contemporary art form of expression, because we are in for those affected by the "kuso" to deeper understanding of the artist’s paintings, found their work to a great extent, all sensitive perspective or reflect the values of contemporary Chinese urban young artists and pop psychology. In these works, we can feel the strong entertainment and critical spirit. This paper discussed under the influence of "kuso","deconstruction" of contemporary Chinese painting expression changes, and focuses on analyzing the "parody" and creation of "deconstruction", express the relationship to change. Through this research, we will found that Chinese contemporary "kuso" in what level of creation of "deconstruction" express way what effect. For our study and criticism of Chinese contemporary art, undoubtedly has great theoretical significance.