| Ceramic art in the West and association, and miscellaneous Chen pluralistic era, hasnot been questioned is booming. For Jingdezhen this ancient Oriental Ceramic City,white water techniques is the traditional blue and white painting technology seeminglysimple, even despised by the small portion of the ceramic artists. Think, this is thetraditional folk artisans tactics, not on board in good taste in art. However, they forgetone of the most important problems, is: traditional is the nationality, the nationality is theworld. Therefore, this paper will be from the internal, external and prospects for futuredevelopment, further explore the Jingdezhen blue and white water technique artisticcharm, its artistic effect is a kind of any techniques are incomparable. The purpose of thispaper is that, through this paper, readers of the blue water and techniques in the field ofceramic art to show the artistic charm, the correct understanding of a new.The paper as much as possible in order to show blue water without Joan charm,through literature, network, expert verification, folk investigation and other channels, dothe following work:（1）the understanding of the development process of blue and white water, andfurther explore the technique of water. Put forward their own point of view: separationtechnique is one of the main techniques of blue and white painting, regional humanenvironment and the blue and white porcelain is inseparable from Jingdezhen be richlyendowed by nature, more important is the special property of tool and carrier, due tomaterial and craft has certain limitations, and it is precisely the kind of " limitation "makes Jingdezhen potters they created a blue and white water of this unique technique.（2） the artistic language features from the blue and white water techniques oftheir thesis deepens, special drawing force performance from the implication of thebeauty of form features, materials and tools of decorative pattern and with othertechniques compared the performance, namely, from the aspects of " diversion "technique charm to bring people the enjoyment of art.（3）the argumentation to the aesthetic value of the angle,"the works of art," thepainting techniques, followed the traditional Chinese aesthetics rules, this also is one ofthe main reasons why water techniques could have been spread so far.（4）the paper from the reality of modern ceramic creation, traditional "watershed"technique is still the most modern potters blue-and-white creation skills, and, is stillsubject to domestic and foreign ceramic enthusiasts, this is the era of tension and artistic charm of the traditional "watershed" technique. |
