A Study On Subjectivity In Xiao Kaiyu’s Concept Of Poetry

As a representative poet since the mid-1980s, Xiao Kaiyu’ s poetry shows the changes in thedomain of the problem about subjectivity, and he shows the conscious thought and research on subjectivity," the reconstruction between the people and the world" has been his writing ambitions. Thus, this papermakes the poetry of Xiao Kaiyu (including the main idea of his literary theory) as the object of the researchto tease out this important ideological dimension in his poetry. Through my reading experience, I can findthat subjectivity as the contemporary problem domain in Xiao Kaiyu’s poetry seems very clear. The "internal self of the individual" is identify and clear, as well as the comb on the complicated Chinese andforeign historical culture, also is the history of acceptance, and all of these are in an attempt to clarify theinside and outside environment around the individual. In this step, some of the specific problems areunfolded. Puzzles from the cultural identity, the old writing mode---"Versus Mode"’s writing space and thepossibility,these factors have important impact on individuals’ maturity. Either the past old ideas or writingmodel, is all made rigorous investigation to see whether it is conducive to approach the mature individual.In <the concepts of poetry and the new idealism movement>, Xiao Kaiyu had talked about sometheoretical concept. On the basis results of previous studies, this paper made a contour-combing on thehistorical development of Xiao Kaiyu’s poetry concept, and we can recognized that the enthusiasm andwisdom of building the principal of personal maturity. To the Chinese traditional resources, he criticizedthat the Zen thought was the main blocks of subjectivity building, because the Buddhas encouraged peopleto give up his mind, which was easy to take at hand, and it respected the behavior "dancing virtual "thatwas negelect. Similarly, the thought of Taoism producing similar effects was also excluded. Based from thechanging recognize in the western countries, he had an experience from crazy yearning to loss, and gaineda clear understanding of the "condition" of the Chinese individuals. Infected with the disease of"Nothingness" in the West, they can not be solved there, because it mutated in China. Thus, in the1990s,many poets have experienced left-back spirit mode. So, when looking for useful elements in Chineseclassical ideological and cultural resources, it is inevitably with a vision of Western culture and attitude,and this is an opportunity for transformation of classical Chinese culture to contemporary, so the mainbuilding personal maturity is just around the corner. In this possess "design" is a critical step, well-intentioned values are as a basic principle,and the individual behavior of other methods and principlescan be established at the top of this.