Peng Liyuan Art Of Singing

Peng Liyuan as representative of the contemporary national vocal music, was thefirst Chinese National Vocal Master. She engaged in the Chinese National Vocal Arts inthirty years, and actively committed to the heritage of the Chinese National Vocal Arts,development and re-creation, and gradually formed its own unique singing style. Withsincere feelings for her concert, very clear diction, articulation, and her tone is sweetsounds, musical expression and appeal are strong, so loved and recognized by thecountry’s1.3billion people. She not only has a strong singing ability, but also very richcultural heritage, artistic style is very rigorous, reflects her lofty artistic charm andcharisma. Her audience, regardless of age, regardless of class. Her singing has become asign of the times. National Vocal Music theory is based on the musical score caseanalysis approach, Peng Liyuan singing art exploration and research. The paper isdivided into five parts:Introduction: Overview choosing this topic contents and significance of researchmethods, research ideas and innovations. The first chapter introduces Peng Liyuansinging stage of development of the art, and is divided into the following four stages:style Enlightenment （1980s）, the style of the period （the1980s）, style mature （20Century90’s）style of innovation（21century）. Zhang Peng Liyuan singing art feature,is the main sections of this paper, mainly through the wide, live, show, through theanalysis of four major aspects. Chapter from how to construct a state-of-the-art NationalVocal Arts teaching philosophy and how to build two large realistic sounding systemanalysis of Peng Liyuan Vocal Art Inspiration national vocal music teaching. Chapterthree summarizes Peng Liyuan national vocal contribution to promote the developmentof ethnic vocal aesthetic; promote China and the United States vocal system coexist;thirty promote the development of the National Vocal Music Performing Arts.