Narrative Of National Industry And Commerce

20th century Chinese literature rarely reflects the times and social change, from the pointof view of industry and commerce, when we look at the current contemporary works, all wecould gain from Mao Dun’s "Midnight”, Zhou Erfu’s" Shanghai Morning" and the new era ofNanyang membership writer Zhou Daxin’s “20th Act”; these studied together in relation tothe Industrial and Commercial Development of China’s national narrative and academia inthis field of research of the National Industry and Commerce narrative is mostly concentratedin the comparative study of these works. The environmental impact of the writers living in adifferent eras; sorting out several cultural horizons, the writer of the novel, in the course ofdevelopment of the national industry and commerce has stated that a different narrative of theclass culture, ideology and traditional family culture.The first part focuses on the narrative of national industry and commerce under the classCultural Perspective, through the perspective of the class culture, reveals the Midnight thirtiesrepresent commercial and industrial development model. Belonging to the initial developmentof the national industry and commerce in China in1930s, China’s economic structure ischanging stage, accompanied by changes in the economy class status differences, not only theconflicts of the working class and the bourgeoisie in this period, more conflicts within thebourgeoisie, capitalists detailed analysis of the significance of this period of China’s economicstructure and class composition.The second part discusses the narrative of national industry and commerce in the light ofsocialist ideology. It reveals the development of national industry and commerce of the fiftiesand sixties through the perspective of socialist ideology, in the course of development of thenational industry and commerce, once again iterated the "ideological discipline under therevolution and flashy juxtaposition. Again "ideology regulatory training under the Revolutionand flashy juxtaposition" interpretation of this phenomenon can be found in this period iswhether it is shaped characters in the novel, or the writer itself in the treatment of thetransformation of the national capitalist industry and commerce are the latent contradictionpsychological phenomenon. The third part focuses on the national industry and commerce in the light of the traditionalfamily culture and narrative. It reveals that in Zhou Daxin’s masterpiece "The20th Act”, forexample, people face a variety of social resistance throughout the twentieth century, and theconstant struggle for the family business historical process causes change. And by the symbolof commerce and industry and the family spirit totem; it discusses aspects of the officialstandard cultural constraints of family, commercial and industrial development, summed upby the fate and outcome of the “20th Act” on behalf of the traditional family, commercial andindustrial.The fourth part of the national industry and commerce narrative thinking comes mainlythrough the use of modern meaning contemplation. Analysis of the imagination of writersthrough different periods of literature, literary fiction; was used to analyze national industryand commerce narrative. Consider the whole national industry and commerce in the light ofmodern meaning contemplation, the overall thinking on the fate of China’s industrial andcommercial development becomes apparent.