Theory Of Skin Texture In The Process Of Lacquer Painting Creation And Interest

China is the world the cradle of lacquer culture. Our ancestors through thousands of years of hone of paint technology, for the form of colorful paint technology, achievements of the Chinese nation splendid lacquer culture history, and gave us hundreds of thousands of material cultural heritage and cultural heritage. As the developing and perfecting of our country’s industrialization, informationization, lacquer painting also came to a new era of globalization, and the emergence of a variety of art stage, the original art form, art content and the artistic language in changed gradually along with the development of The Times, more emerging art form in to reinterpret the past people’s understanding of art.Lacquer painting art after decades of development, finally realized from the manufacturability and decorative focus on practical aesthetic and art to the inner spirit of the connotation of pay attention to the pure art of transformation, and become an artist available free independent of the type of art creation, the hordes lacquer painting artists are in the hands of the material, the thinking creation in the form of transformation, complete metamorphosis of higher level.But to material language performance as the main object of the modern painting type, more need to foster strengths and circumvent weaknesses, give full play of the role of material in the lacquer painting art, and actively explore the role of skin texture in lacquer painting. Build a powerful in the lacquer painting characteristic and the stability of the ontology language system. Finally through the exploration of material language, and the texture’s performance as a material carrier of the language art, the pursuit of aesthetic interest. This paper aims to through the plain, in the process of lacquer painting creation, about the exploration of material language in texture, and paying attention to the inner emotional expression of the skin texture.