Two Kinds Of Symbiosis Of Creative Pattern Of1980^th Guzheng Muic Vocabulary In20^th Century

Chinese instrumental music creation has got a great development since reform and opening up,1980s is an important stage in the creation of Chinese instruments. In the article, the author performs a research and analysis on the works of Guzheng music, especially the composers join in this area, breaking the single patterns to the performers of the main creation, establish the performer and composer of the two kinds of symbiosis patterns until now, the coexistence pattern also makes guzheng art to the features of Institute, professional and systematic.This article mainly on the research and analysis of the ten years Guzheng works, from1980to1989,it consists of four chapters, the first is looking back at the history of the twenties century to the early eighties of the Guzheng music creation, the second chapter is the creation symbiotic existence way of the composers and performers, with two creative groups of different creative despective to be carried out, the third chapter is the double writing vocabulary of Guzheng music, in the creation analysis on the universality and individuality of the two groups. The last chapter is the development characteristic of1980s’Guzheng music in the whole development in Guzheng art area, mainly from the initial academism style of Guzheng music, the genre diversification in the creation, the technique innovation in playing to explore the important significance and on the future of Zheng music creation inspiration.