Ceramic art is the art treasures of enduring Chinese culture. The blue and white porcelain is a very have a style of one’s own special in ceramic art. Jingdezhen called "the capital of porcelain" is the cradle of ceramic art. The Ming Dynasty Jingdezhen folk kiln main production are considered to people’s daily life must daily porcelain, was richer,high, officials and noble lords and Royal Porcelain production and the production of fine porcelain. This exquisite porcelain was exported to overseas, at home and abroad alike. Jingdezhen folk blue and white porcelain has inherited the unique "line" of ancient Chinese rhetoric to creation, simple shapes simple, creative inspiration from the life of ordinary people are most real experience, the process of drawing a simple freely, unrestrained, this period of art creation reached a certain artistic height. Folk blue and white line picture Construction lines, lively and interesting, bold and free and easy, let these reflect contemporary civilization and the development of folk blue and white porcelain became people’s deepest feelings of art.In this paper, the development of Jingdezhen folk blue and white in the simple analysis of the carding, starting from the "form", in-depth exploration of Ming Dynasty blue-and-white art, the aesthetic characteristics and artistic technique of expression of art research, combining the humanities environment and the people mentality to discuss Ming Dynasty blue and white "line". Firstly, the definition of "line" concept, and points out the necessity of "line" in the creation of blue and white porcelain, the blue and white porcelain with the line form and pen style and modern design was studied, finally summed up the general characteristics of the line art of the folk blue and white, on the basis of the traditional blue and white decoration art on the imagination of contemporary blue and white decoration art based on. |