The Study On The Sketching Of Contemporary Chinese Landscape Painting

This paper studies painting sketch of the Chinese landscape, compares the developments of Chinese traditional landscape painting, refers to various aspects of literature related to the paper, analyse the relation between Chinese landscape paintingand painting sketch in the painting history, and its significance to the contemporary landscape painting.Since landscape painting mounted the stage of history in the Sui and Tang Dynasties as an independent painting,"nature" has been closely related."Nature" has important theoretical and practical significance in the development of traditional landscape painting, and in different periods people have different understandings of "nature",from the initial attention to objective landscape to late expressions of unity of form and spirit and subjective spirit meaning, the process is a deeper level of the landscapepainting development. In the later Qing Dynasty landscape painting was greatly affected by "Four Wangs" which is an official school.They only pursuited ink,but lackedcreativity, as a result, gradually late Qing Dynasty painting style followed an old routine, and finally late Qing Dynasty painting gradually declined. With the development of landscape painting in modern times, and due to the impact of social reasons, people’s thoughts also produced profound change, which will become a mainstream in art circles.Landscape painting in contemporary times in the background of the reform and opening up and the diversification of society provides greater development spacefor Chinese painting and innovation.Reform movement in contemporary landscape painting is carried out through painting, or painting is the basic means of contemporary landscape painting transformation.The development from landscape painting to sketching has become a unique and spectacular scenery in contemporary art history. Indeed, landscape painting innovated through sketching is not after the founding of newChina,both the tradition of the "nature" of the landscape painting and the painters’ painting reform practice in the early twentieth Century provide the historical model for the era change in Chinese landscape painting. The painters of the contemporary Chinese landscape painting in the fifty or sixty’s such as Li Keran, Fu Baoshi, Shi Lu are representatives then and have made a sketching movement with vigour and vitality, thus injecting new vitality into the Chinese landscape painting and promoting further development of the landscape painting. Contemporary landscape painting is developing under the background of new era of the new reform and opening up and the integra tion of the world. The Chinese landscape painting is a combination of Chinese and Western landscape painting, the traditional landscape painting and abstract painting in the contemporary Chinese landscape painting, which carry out the sketching practicecreation of landscape painting respectively in the category of different angles and fields,and constantly enrich and promote the further development of the contemporary landscape painting.Contemporary landscape painters combination faction just cater tothe natural characteristics of landscape painting, based on which they are making a series of reformation and exploration. They also enrich and promote the futher development of contemporary landscape painting from different angles and field categories.The paper reports the development direction and trend of contemporary landscape painting, analyses its development as we as the relation between it and painting sketchand discusses the topic that contemporary landscape painting and painting sketch arecombined to embody humanistic spirit and time spirit of landscape painting based ontraditional arts.