Aman Muhanov Oil Painting Research

Aman, muhannov is one of the contemporary outstanding painter in XinJiang.heis also the first generation of Chinese kazak oil painters. His art has thecharacteristics of regional ethnic culture, which has a unique personality andinnovative, dynamic. Oil painting is on the basis of inherit excellent traditionalculture in XinJiang, the emergence of his paintings further pushed forward thedevelopment of the XinJiang canvas step. He has painted for over50years, manysuccessively exhibited in china and abroad and won the prize of excellent works, onthe border of the western land, using brushes recorded TianShan between the northand the south the beautiful grassland scenery in XinJiang， brave and hardworkingKazak herders entered the joy of living, new age and Kazak nationality’s traditionalculture, to make a due contribution to the development of the Chinese civilization. headded splendid contribution for XingJiang and even Chinese painting. This articlediscusses three parts for his oil painting art.The first part, mainly from several aspects to analysis summary of AmanMuhannov’s main art characteristics of painting: Aman is good at landscape andfigure paintings, he is famous for his grassland landscape and pastoral life painting.especially with color,elegant, lively, rich connotation, realistic and adornment sex,his work has the strong sense of form, unique personal characteristics and wellreceived.The second part, mainly from the development course of oil exploration toexplore the road of painting creation. A preliminary period for his painting styleformation of the necessary bedding, to depict grassland landscape and pastoral lifeand history content is given priority to, came to prominence in the painting;Important transition period for the periodic leap style was formated, style has beenmature；The third part, to analyze the premise and the reasons for the formation of hispainting style. Aman’s painting style is in the tradition of western realism oil paintingskills, on the basis of both the use of the former Soviet union painting creationmethod and experience, and according to his own needs, absorbing the essence ofpainting of others, to create again. To add the kazakh traditional folk art elementsinto his painting creation, to solve his own problems, he formated his own oilpainting with Chinese aesthetic style.