The Study On [Dong Xian Ge] Ci Diao And Its Rheological In Tang And Song Dynasty

Song Ci, as a representative of the generation of literature, has always been a researchfocus in the literature of song dynasty.Ci Diao studies also have been the focus in the study ofCi. This article selects a popular Ci Diao,Dong Xian Ge,as the research object,and exploresthe Ci Diao’s form, theme, style and rheology in song, and then summarizes the developmentlaw of the individual Ci Diao from a more subtle perspective to spy out the developmenttrajectory of the whole history of Ci.Dong Xian Ge as Tang dynasties’s song, has a variety of types.This paper detailedlyanalysis the mode and postures, and sums up the four kinds of Dong Xian Ge’ s mode in Tangand Song dynasties.The most populur is Su Shi’s Dong Xian Ge. Qin Ding Ci Pu summarizethirty-five,actually only eight kinds of usual postures in Song dynasty, Dong Xian Gesyntactic multi-purpose count sentences, rhyme with up to rhyme, rhyme hydrophobic long,slow and pure and fresh..Dong Xian Ge has various types of subjects,including,love,feeling,offerings and birthday, singing festival, chanting etc. With thedevelopment of the time, the theme has been constantly enriched. However during the twosong dynasty period and after southern song dynasty perished, it is specially catches attentionthat some ci poets use the Dong Xian Ge Ci Diao to express sadness of home and country. Thedifference of theme make the style of articles also different. Dong Xian Ge, in tang and songdynasty, has showed the brilliant and bright, handsome and elegant, and depressed stylecharacteristics.After tang and song dynasty, the Dong Xian Ge developed into Qu Diao. Qu Diao isdifferent from Ci Diao on rhythm and syntactic.The content is more close to life, expressesmore love and hate, secular life and joy festival, and have the style and feature of naturaluninhibited and sorrow.Research methods include literature research, induction, number statistics.