Analysis Of The Poetry And Calligraphy’s Intention Of The Ming And Qing Landscape Painting

Between Ming dynasty and Qing dynasty, painting of landscape became the trend of the arts. Even though it had a Conservative status, which was good at a skill of describing the old paintings, painting of landscape in Ming dynasty and Qing dynasty had a multitude of advantages. For instance, it involved all the merits of every style, different painting skills, changing the traditional format, emphasizing the interest in life, expressing a feeling of rhyme. In this essay, we would discuss the development of painting in Ming and Qing, analyze its origins and essences through different angles and Classical arts, and then obtain a sense of poetic picture.As an important element in the Ming and Qing’s paintings, a sense of poetic picture became the second popular thing among the painters just behind the painting skills. This essay was divided into five chapters. In Chapter Ⅰ, it analysis the background of the sense of poetic picture. Cultures in Ming and Qing had a strong retro tend, because after Yuan Dynasty, people prefer the achievements in Han and Tang Dynasty. Why? The key was the tang song’s poem. It influenced people’s cultural psychology and personality style. Zhao Mengfu, a famous painter in Yuan Dynasty, proposing a version--painting and writing had a same origin. This version made the Ming and Qing’s paintings into a higher level, such as, it added a new painting skill called "XieYi". Meanwhile, the art of autograph reached a peak in the Ming and Qing Dynasties. In Chapter Ⅱ, it combines aesthetic theory to analyze poetry in the painting, making the pictures look more gorgeous. In Chapter Ⅲ, in order to find its Specific forms, like using white instead of black, putting together with""Pen" bone method"and "lively",it searches for the sense of poetic picture in Ming and Qing’s paintings. In Chapter ⅢⅠ, it talks about the paintings of the most famous painters. In Chapter Ⅴ, it gets the conclusion that modern landscape paintings should inherit Ming and Qing’s, not only the sense of poetic picture, but also the particular artistic language, and find its’ own styles.What we obtained was not only the painting skills, but also a sense of poetic picture. These were significant to every successful painters of China in contemporary. Moreover, how to combine these into their paintings and find their own artistic language was significant to the development of themselves and Chinese landscape paintings.