Study On Regional Cultural Characteristics Of Sichuan New Print

In the history of the development of Sichuan new print process of Sichuan, the new version of the painters forward-looking artistic vision and the spirit of advancing with the times and extensive art essence, set up their own art language, creation base their is a regional, national and artistic, art and its history is always closely related with the evolution of geographical environment. Regional and national characteristics of Sichuan new print, to play an immeasurable role in promoting cultural construction, not only can the development of regional cultural resources, but also can cultivate new regional school, continue to promote the development of regional culture.Based on the topographic features and Sichuan is the unique culture background, looking for the interaction between both in the new print history in sichuan. Analysis of the Middle Sichuan by emerging artist Li Huanmin, Wu fan, Xu Kuang, Feng iron version of the artist’s classical works, looking for regional, national, humanism reflected in his works from the perspective of themes, and analyze from theory and practice, to find out the relationship between the two existing.Are indivisible Sichuan new print development and regional culture, the two are complementary relationship areal culture through art psychology, temperament characteristics of print culture aesthetic taste and artistic style; the same print culture reflects the formation and development of regional culture.Excavating the connotation and form of local art, will be the era of context into the print creation, so as to create a better work of graphic art.