Research On The Erotic Problem Into Contemporary Chinese Paintings Based On The Perspective Of Ethics

Erotic paintings reflects the contradiction and conflict between individual behavior and morality of the artists. people often view the artists strangely. even more, take the types of art as the category of immorality. In fact, so many famous artists had painted erotic paintings in western art history, such as Picasso, Schiller and so on. Their paintings profoundly affected the later ages with high artistic value, which described the nude.Since the new century, profound changes has taken place in Chinese contemporary art, that art is becoming more diversified and its expression closer to the contemporary social life. The western culture has spread broadly, which contributed to the development of contemporary art in china. Rapid development of China’s economy speeds up the arrival of the era of art consumption. In a way, contemporary art reflects the culture characteristics of consumption era. In the cultural background, we pay more attention to the artistic taste. Erotic paintings can be classified as the style of elegant and vulgar, just like people has good taste and bad taste. As the change of modern social ethics, the style of the erotic paintings varied greatly compared with the past. With the development of the new media era, there is revolutionary change on the technology, and the number, speed of the paintings. So, erotic paintings is put on display increasingly. Some artists question the traditional ethics, and express their own ethics and value in the new period through their works, which caused people to think more about ethics. On the contrary, there are some art practitioners blurred the line between erotic and porn in the name of "art for art’s sake". They take some drastic measures for the sake of fame, wealth, and the social recognition, but the result may backfire.Therefore, it is inevitably to strengthen the moral construction of contemporary Chinese art, considering the fusion or contradiction between art and moral seriousness.