A Study Of Composing Technique Of Five Modern Chinese Zither Music

Modern zither music is on the basis of the traditional zheng music the development of new work content, forms and techniques to adapt to a modern aesthetic form of guzheng music. Since the reform and opening up, China’s Zheng music composer based in artistic tradition, and boldly learn from a variety of beneficial zither music performance Western compositional techniques, efforts to enhance the artistic quality and technical content zither music creation, created a lot of refreshing works.The early1990s, the famous composer Mr. He Zhanhao created China’s first zither music with piano accompaniment," Linan Yihen ", it appears to make up a major gap in the history of Zheng, Zheng brought new artistic development sound. Subsequently, there was more than good works, such as Mr. Zhou Yuguo of " Yun Shang Su," Mr. Wang jianmin’s " Feng Qiao Ye Bo", Mr. Wang Zhongshan "Wang Qin Chuan," Mr. Gu Guanren’s "landscape ", Miss. Li Meng’s " Changgexing " and other new works, these works both in terms of mining theme, genre, or in the musical structure, tonality, harmony, melody and other musical elements of the writing, but also to expand the playing techniques or ways era has a distinct sense of innovation, in the form of performances, the zither and piano together, changed the traditional form of solo performances. In this paper, five typical modern Chinese zither music works:" Yun Shang Su "," Wang Qin Chuan "," Feng Qiao Ye Bo ","Landscape "," Changgexing " as the object of study, one in-depth knowledge and understanding this modern aesthetic several outstanding composers and music creative ideas; hand writing background and structural characteristics of the creative works of tonality and melody, multi-part musical analysis techniques, such as the music itself, induction, and this is the basis to summarize the basic features of modern zither music creation to the creation of modern Chinese zither music theory to play a complementary role, and to provide a theoretical reference for the future zither music. In addition to the introduction and conclusion of this article, the main part is divided into three chapters: introduction origin and related topics for the literature review. The first chapter, from the creation of the background and musical structure analysis of these two aspects are introduced and analyzed individually. The second chapter, tonality and rhythm analysis, analysis mainly from tonality, melodic aspects.The third Chapter, multi-part application of techniques, from harmony, polyphony and three aspects of piano accompaniment. The conclusion summarizes the overall creative features five tracks zither works and Implications for the creation of modern Chinese zither music.