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Free From The Standards

Posted on:2015-03-03Degree:MasterType:Thesis
Country:ChinaCandidate:X LiFull Text:PDF
GTID:2255330428479445Subject:Film
Abstract/Summary:PDF Full Text Request
Francois Ozon is one of the most high-profile directors in the new generation of French directors, and also he, called the"alien",is also a unique example in French cinema.From1998first film<Sitcom>, his film is mostly described edges characters and feelings,and to overstep"moral standards"have been controversial.his eclectic taste of film road enables him to absorb many advantages.Especially his imitating movie master image style and language.It often appeared in his films.The"edge"character(homosexual、 bisexual and women,etc.) and their emotions into the audience perceived "center",It not only in the language of the camera,but also in Ozon’s film producer choice,from his early short film seek time and a long piece of personal expression to the beginning after the commercial,This is he trying to break the hard edge of mainstream,art and business boundaries,and also really get some results.This paper is divided into five parts, the first chapter is an introduction.The second chapter the author tries to tell the French film support system,and French movie production environment under the system change influence on Ozzon films, He closely related to the path of growth and the film.Because many Ozon films,but sources limited (especially Short film).It can not be the best knowledge of the domestic audience, so I will be brief overview of his work and the content of the movie to a long period pieces,which can also be seen Ozon film production transition piece concept.Chapter Ⅲ will be used with other films presented contrasting stitching Ozon common style movie, coupled with a mirror language expression, the use of symbolic elements and themes connotation three aspects Ozon film form and style analysis. Ozon new queer cinema as a European representative, the fourth chapter will attempt to analyze the impact of queer theory on his producers generated by the film presents a queer rhetoric will Ozon movie summed up as a " gaze "-" declaration"-"weakening " the producer context,but also a strategic transition.Women are often Ozon movie show another edge of gender identity, analyzed the image of women in the film is the fifth chapter of this article.
Keywords/Search Tags:Francois Ozon, French film, Queer Cinema, Female image
PDF Full Text Request
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