Study Of Poetic Writing Of Ge Fei’s "Jiangnan Trilogy"

GeFei’s "face","dreaming of mountains and rivers" and "spring finished in Jiangnanare collectively referred to as the "Jiangnan Trilogy", which is an important explorationand practice of his poetic writing. In this paper, the "trilogy" is the object of study ofGeFei’s novels. Study starts from the poetic theory, attempting to analyze the language,narrative and characters of GeFei’s novels to explore his writing in the context of popularculture, such as how to inherit Chinese poetic tradition, how to conduct poetic writing, howto show the ultimate concern to the people’s life, fate and significance.This paper use the method of close reading to discuss the "trilogy" of GeFei’s poeticwriting in four parts. The first chapter analyzes the poetic characteristics of novel language.The lyric rhythm, the aggregation of imagery and metaphor and the return of classicallanguage of traditional novel express strong feeling, constitute the poetic images,containing the classical style. The second chapter analyzes the poetic narrative of novel,specific performance are the long inherent time and the virtual story line. The formerincreases the novel capacity and tension while the latter creates a mystery, fantasyatmosphere and the poetic exploration walks into the inner depth of life. The third chapteranalyzes the poetic features of characters. The characters’pursuit of the essence of life andpoetic love beyond life and death convey a life meaning and primitive vitality detachmentfrom the earthly and deep into the spiritual realm. The fourth chapter analyses his poeticwriting motivation, namely, GeFei’s consciousness transformation from pioneer to thetraditional, the inheritance and development of the classical novels, as well as the pursuitof the utopian idealism. GeFei’s "trilogy" poetic writing, can cause people’s attention andreflection to the poetic nature of literature itself.