Ming Dynasty Calligrapher Inheritance And Development On Regular Script

Calligraphy in Regular Script writing in respect Kai is based on adding a bit more freedom and disposition should be. Regular script should not only habitual monotony, but to explain the mind of a self-respecting Kai is based on, living in inner feelings of a looming between express and restraint, to express not flood rampant, the restraint is not mechanization rules and repetition. The formation and maturation of regular script calligraphy experienced Wei Jin, Sui, Tang, Song and Yuan dynasties as well as the development and refinement of the Ming Dynasty, after examining and development through a series of aesthetic cognition deliberately formed and vigorous pursuit regression pristine cognition in the United States reaching resonance. Ming Dynasty regular script is broadly divided into three periods:the early Ming Dynasty Hongwu to Chenghua period (1358-1487), Ming Hongzhi to Longqing years (1488-1572), Ming million years to the late Ming (1573-1644). But calligraphy style and these three periods, but the Wei and Jin calligraphy has a great relevance, an example to explain this paper Zhong Yao Ming Dynasty regular script regular script home to inheritance and development, regular script works from the pen, composition, lettering and analysis of the book thought.In this paper, a total of three chapters, the first chapter is mainly about the development and rheological regular script,regular script transition official script, regular script and Zhong Yao;Chapter II of the Ming Dynasty calligrapher acceptance of regularscript background; Chapter III made it clear scrivener home toregular script inheritance cases, from the early Ming, the artisticfeatures of the house late on behalf of the book elaborated andclassified its style. Reading more books Ming Thought, and theninject more fresh blood for the calligraphy. The fourth chapterexplains the Ming Dynasty calligrapher regular script developmentissues for the author’s inspiration, practical performance intoregular script, calligrapher fun sexual reproduction, calligrapherPersonality of three parts. Modern scholars of the book, how tocorrect the Ming Dynasty regular script developmentcharacteristics of the times, to understand the reproduction of fun,insight into the reality of the vision of development, deepunderstanding of the relationship between the individual and thesocial self and the world, to examine the personality ideal ofself-shaping efforts to self-calligraphy find a philosophical basis forthe United States, is worth pondering.That is more than thestructure and content of the framework outlined in this paper, asoutlined in more detail in the text unfold!...