Intertextual Comment Of Anti-Japanese Teleplays

Anti-japanese television show is an important part of the type of drama, a considerable proportion of our TV industry. In recent years, Sino-Japanese War is a television show that more rapid growth appear on our TV screens, becoming the evening prime-time television landscape, showing a strong momentum and achieved considerable ratings, a large number of critically acclaimed and nice excellent anti-japanese television show to the audience left a deep impression. However, while the anti-japanese television show blowout occurs, the homogenization of television production, entertainment phenomenon is also gradually revealed and deepened, and the creation of a variety of suit an occasion to copy anti-japanese drama, more and more detached from reality, and contrary to some of knowledge of anti-japanese drama in large numbers, resulting in a number of anti-japanese drama high ratings, the phenomenon appears low degree of praise.This paper attempts to select a theory of intertextuality intertextuality use specific strategies for anti-japanese television show cross-textual analysis Emphasis on the text of many elements of anti-japanese drama in cultural context and meaning of the text flow of dialogue, mutual examination between anti-japanese drama associated text referential process. Meanwhile, for the anti-japanese drama for outstanding performance in recent years, homogenization, entertainment phenomenon, this paper studies the selected object, analyzes the anti-japanese drama formulaic plot, stereotyped characters, graphic visual style, and the game of the visual imagery and creative way to show cause as to achieve rational for anti-japanese television show production, rational ratings, rational spread appeal.The first part of this paper is the theory of intertextuality comprehensive review, as the theoretical basis of this analysis in anti-japanese drama, intertextuality theory is extremely rich in content and extremely broad applicability. The path of mutual understanding and interpretation of the text of the decision against the theory of drama angle selection and interpretation of the framework, the paper analyzes the text against each other drama phenomenon is reflected through specific text message each other and means and strategies to achieve, which is studied foothold. The second part of the anti-japanese drama produced from the social and cultural environment to start, focused mainly on the drama of popular culture against the process of interaction, it is these factors that make the long-term impact on anti-japanese culture by way of intertextual drama presents the current manifestations. The third part focused on intertextual allusions and prototypes function means in anti-japanese drama show, revealing the cognitive sources of anti-japanese drama, a considerable part of the anti-japanese drama portrayed characters and plot are able to set the historical context of the text and mythology find the corresponding original form. The fourth part of the strategy of intertextuality pastiche and parody put together, analyzed and interpreted by contrast, the distinction between the similarities and differences between the two versions mimic the way, explains the formation of the anti-Japanese drama intertextual role is reflected in the most direct interaction the most obvious mechanism running text in two ways. The fifth part is a strong postmodern intertextuality property means-a collage of found excavations, is a collage of intertextual phenomenon in recent years, a considerable portion beyond the "Modern anti-japanese drama" in the traditional sense has outstanding the show, temporal, logical and aesthetic heterogeneity makes anti-japanese drama is more of a drama brings together a variety of types and multiple stages of visual cultural differences " hodgepodge." The last part of this paper has put forward a number of shortcomings and deficiencies in the study of the theory of intertextuality when analyzing anti-japanese drama, it is undeniable that the anti-Japanese drama is a multi-cultural factors Paul and text elements of vector art, drama interpretation against the existence of a variety of different theoretical and research framework sight, intertextuality interpretation which is just a point of view, and can not do against the drama itself and its cultural characteristics exhaustive analysis, and this paper tries to achieve is fighting drama range of innovative research and breakthroughs and research methods.