Fang Bing Creation Of A Cappella Feature And Artistic Treatment

No matter domestic or foreign works, they creative attitude toward choral music are always enthusiastic. Especially for foreign composers who seems to more interested in the creation of a Capella music. However, the history of our country due to many reasons, such as music and cultural heritage, resulting in the creation of music in terms of multi-voice music seems to be rather weak, especially in the chorus aspects. At present, in China, the main choral form is the one that has accompaniment and singing by a group of people. The Cappella creative filed is barren, classic music works are even scarcer. Currently the Cappella music is developed in a narrow and difficult road.This article through systematically analyze the30Cappella music work created by Fangbing to summarize the technic and idea that used to create national style of Cappella music. It also aims to discover its unique style. In addition, to identify the composer’s heart for exploring an expression that suit for Chinese people and the meaningful effort to create national Cappella music.This paper is divided into six chapters and mainly elaborate in three part. The first part is to analyze the characteristics of Fangbing’s Cappella music. The second part is to use appropriate approach to artistical deal with his work. The third part is to understand the impacts and influences of Fangbing’s work. The six chapter is organized by the following order: the first chapter is the introduction of Fangbing’s Cappella music; the second chapter is to categorize of his work; the third chapter is to discuss the creative characters of the harmony, form and other parts; the forth chapter contains the art feature of his music work. From chapter one to four main aim is to analyze the technic that Fangbing used to create his work. The fifth chapter is to analyze Fangbing’s work at a second time.The sixth chapter is to discuss the influence of Fangbing’s Cappella to the creation of Chinese cotemporary Cappella work. Chapter VI is a square soldiers cappella chorus of contemporary Chinese influence cappella creation.The author believes that the party soldiers study a cappella choral works of great significance. Fang Bing is currently the first creation of a cappella works of so many composers and their works are still in the creative stimulation. For the creation of a cappella explore this barren field of contemporary choral composers need to contribute to the cause of a force. To get China’s Chorus international, first of all from the composer began to explore. Must provide for our people a lot of a cappella works, and through the conductor and chorus of people and many workers in the pursuit of choral art work together to explore in order to truly develop our choral art, catch up with international trends and what they can truly achieve artistic level.