The Theory Of The New Development Of Contemporary Chinese Painting Art Language

Our country has a brilliant civilization, after thousands of years of traditional culture, hasproduced many outstanding art form, its language form, form of expression, rigorous paintingand color usage is still vibrant. This is a very profound impact on China painting. However,with the modern western culture "collision", contemporary language form is more and morebroad, inclusive is more and more strong. This makes the development and experiment ofcontemporary form of painting language become possible. Therefore, the artists are trying tothrough the diverse language exploration to this ancient painting reproduce gorgeous luster,full of new lifeThe inheritance and development of painting is to raise its essence, for its broad, butmore important today is integrated into the new nutrition and concepts in which. Nowadays,with the rapid development of social economy, the world cultural exchange, people’s aestheticdemands increased, Contemporary Meticulous painters vision and are very broad andsensitive at all times and in all countries, in the traditional learning from and beyond NakahiroHirosa, bold for a variety of practice and innovation, will undoubtedly make the paintingbased on traditional and reference. Add a fresh record. This article attempts from the otherlanguage skills, language materials, language, style of painting on several aspects of thedevelopment of contemporary China painting form language of new. It is not difficult to seethat painting language forms took on a new look, these, we have to do is to seek thesuccessful experience from the predecessors of excellent art, and the development of the timesare hard to explore the road of innovation with the.