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The Prosperity Of Chinese Blue And White Art And Islamic Decoration In The13th-15th Centuries

Posted on:2015-03-28Degree:MasterType:Thesis
Country:ChinaCandidate:J LvFull Text:PDF
GTID:2255330428981974Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Under the current trend of international integration, the rapid development ofpeople’s living standards and promote the art industry booming, especially in recent yearsfrom Islamic countries of the Middle West Chamber of Commerce in cooperation withChina’s all-round constant depth (eg In recent years in the country organized by theIslamic countries International Gift Exhibition, China-Islamic Cooperation ForumNational Chamber of Commerce, etc.), not only to promote the development of trade andeconomic cooperation of both aspects of the art market, but also inject fresh blood into it.Yuan and Ming Dynasty blue and white porcelain is China’s most glorious period.Islamic art is an ancient art, religious art, science art, Islamic art world occurs on theother side of the planet in Yuan and Ming dynasties is worth to explore. This not onlyhelps us to do further research on the Yuan and Ming blue and white, and moreconducive to deepening our time doing academic research for the "global concept"understanding.Focus on the arts only one which can reflect the long history of Chinese aestheticscategory on behalf of the arts must the blue and white, in recent years the study of blueand white art has continued to expand with new a new height,13-15th century Chineseblue and white porcelain decorative arts can be a very necessary optionThis article discusses about the relationship between Chinese blue and whiteporcelain art and Islamic Ornament art in the13th-15th century.Mainly clarify the mutual influence of them.Aims at draw an outline of artisticexchange between Central Asia and West Asia.
Keywords/Search Tags:blue and white, art style, Islamic art, history blend
PDF Full Text Request
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