Ancient Chinese Painting Clothing

In the ancient Chinese feudal hierarchical society, clothing has always been seen as a sign to distinguish pecking grade and poor. Qing Dynasty, Lei zun and his son Lei xueqi in the GuJingFuWei said:"ceremony Do pecking, strict internal and external, not intimacy, the clothing is very important in these things. Things of clothing is especially heavy."Chinese ancient clothing picture to depict clothing performance as self-sufficient mesh is fully conscious of clothing map, it went through the initiation, independence, development and evolution of life history. Ancient Chinese clothing pictures, we can see that the feudal society of rulers to comb social order, scholars according to the Ritual clothing pictures is integrated into the system of government and politics, as distinct pecking, strict internal and external; To underline patriarchal blood relations and draw mourning figure reflects the importance of rites, family kinship and sense of hierarchy, but also deeply engraved in the national deep-seated thinking the funeral clothing pictures that is not affinities symbols; we and exotic, alien, the clothing drawn pictures by watching each other in order to meet the cognitive and global concern. Shows that ancient Chinese clothing pictures as identified such as Viagra and great alike, not intimacy symbols has deep political, cultural and folk connotations. Clothing pictures has long been concerned about, the combing and research on ancient Chinese clothing pictures is particularly important. Article systematically combing clothing ancient Chinese pictures will do, and elaborate clothing picturess reflect the political, cultural and folk.The first chapter is the introduction part. The main topics of the origin and meaning from the paper, the paper appears in the definition of related concepts, literature review and thesis path and innovation aspects Talking. And cut from a multidisciplinary perspective of folklore, anthropology, semiotics, aesthetics thesis writing, to take literature method, text reading law, comparative study as the main means of research, on the basis of the results of previous studies, pictures of ancient Chinese clothing as the research object, meticulous combing and interpretation.The second chapter of the thesis is the main part."Ceremony" for clues, from a list of some of the typical five crown clothing, funeral dress, civilian clothing, Army Uniform and religious dress clothing pictures to clothing pictures itself as a research subject, and clothing pictures system combing and introduced. At the same time, the pictures of the evolution of clothing in five categories and embodied in the rule of law, ritual, folk connotation be analyzed one by one.Third part of the theoretical is study of the pictures symbol of ancient Chinese clothing. In this chapter, the analysis of the numbers, shapes and patterns in clothing pictures embodied connotation analysis the ancient clothing pictures as a symbol that embodies refers requires, the combination and aggregation relationships. And analysis of the clothing pictures is how these relationships to establish order in the world and grade specifications.The third part of the third Chapter is the extends, expand Chinese the ancient garments pictures cultural implication discussion. This part is mainly through the earlier exposition clothing pictures embodies the cultural implication the generality of the discussion. Respectively, from the rule of law, ritual, culture, discusses the clothing pictures implication. And clothing painted as the main excavation itself brought some cultural point characteristics and connotation.The forth chapter is the conclusion. The paper concludes that:Chinese the ancient garments painting as an interpretation of the "gift" characterization, ancient scholars to its the collected essays as can be tracking from the Han to the Qing dynasties. Its main attached to the "Rituals","Three Rituals","Atlas of the three rites Note ritual theory works, and dedicated to pose a crown of Figure mourning Figure, dark clothing test not plan for. Involved in the field of ancient Chinese clothing painting, mainly including Emperor Wang Gongqing, wives, crown clothing diagram, funeral apparel Figure, in civilian clothes, paintings, military Rong clothing paintings and religious clothing schema and so on. And ancient clothing painting is a huge system of symbols, it has means, combination and aggregation relationships referred to these characteristics, and the relationship between common framework of the ritual of the ancient Chinese clothing culture system, combing the social and political order. Ancient Chinese clothing painting, we can see the Han nationality and rule of "hanging clothes","look the chapter known potential", the pursuit of the "gentlemen’s code of dress and brown Huaiyu" thought of wearing clothes. Although the emergence of the ancient Chinese clothing painting has a different background and reasons, but mainly in order to expand the political rule of the ruling class and service. Clothing painting as a ritual system and apparel cultural symbols, plays the role of the Codex-combing social order for the ruling class, to identify kinship closeness, to distinguish treat men and women from the picture template function. Painting major crown clothing to pursue the ancient system of the United States ornaments when North Korea ruler dress, it bears political mysteries. Its ornate makes the self-esteem and vanity of the ruling class are met; civilian clothing painting ordinary people dress norms in order to establish, in accordance with the "picture"(model) dressing, and will not to transgression and appear fancy dress; Funeral clothing painting for relatives, reflects the kinship closeness; at the political level, the official serving "Qi shuai" for their minister, the China King served "Qi shuai" for their officials, and the people served "Xi cui" for their officials, this phenomenon reflects a strict hierarchical order in the political relations; military Rong clothing paintings demonstrate the practicality of clothing and traditional cultural conflict, traditional culture quickly gave way to practical function, the changes in military Rong clothing painting is the most quickly and most differences; religious clothing painting in order to pass the religious ideas and dress code. And some religious clothing painting as the vestments single religious utilitarian, began to pass the service of a traditional Han Chinese clothing culture.