Waiting For Godot

This paper basic on the background of the trend that nowadays most popularfashion designers try to get rid of traditional clothes’ definition to create more andmore exaggerated dramatic looks.Combined the fact that China Fashion Art getthrough a dilemma situation right now,the author of this paper try to analysis thedevelopment process of postmodern fashion art and their special theatricalaesthetic point of view on beauty（in the way of collect the literatures, videos，images, exhibitions, related brand researching informations）to help consumersand Chinese young designers understand how the fancy looks theoretical comefrom, then to avoid the young fashion designers to over-designed or designmeaningless adventures visual effects to make resources wasted and giveconsumers poor guide because of follow the trend blindly. At the same time, inorder to enrich the design language of the young designers and help youngdesigners looking for their own design position in today’s fashion world, thispaper focus on the typical cases on fashion dramatic expressions of10foreignpostmodern fashion art representatives designers since2000till now,who camefrom different countries and active in different ages. On the one hand pay attentionto researching the special design methods they use commonly,on the other handgive a highlight on the behaviors of how they present their works on fashionshows to summarize12frequently used design means on dramatic expression,through this way to avoid young generation designers misunderstand thepostmodern fashion phenomenon to make their works in an awkward position.Thelast chapter of this paper based on the above contents, explore regional limit andtimeliness of the dramatic postmodern fashion to imagine a future of postmodernfashion dramatic expression.