Horror Movie Fear And Extension

Horror movie in its long history of development as an important type ofcommercial films showed distinct characteristics of types and the way of thedevelopment. Combined with a variety of internal and external factors and creativepractice, it has owned the self-contained logic of the language and aesthetic form,and performance obvious regional and nation. The horror movie has a unique value,not only in its own field as an interdisciplinary study of cross-cultural text, the horrormovie still has a multidimensional cross and flexible academic theoretical value. Theterror itself can be study by aesthetics, philosophy, anthropology, sociology,psychology, even jurisprudence edge and interdisciplinary exposition, and fear is themost obvious and strong human emotional experience. The horror film has theimage law, against human fear of the heart to create and mining. In terms of culturalvalues, it has a unique interpretation of social functions. Repressed the human andtwisted morbid desire can be seen from a horror movie, and can even interpret thesocial context of the development of the unconscious.This article through the studding about the psychological basis of the horror filmelements, for example fear manufacturing, exposition of the wonders of the exoticculture, forms an internal and external logic pattern of horror film and descript andanalyze films from the inside and outside for the structure of the film becoming clear.Explain their fears morphology horror movie, manufacturing methods and epitaxialpart, trying to dissect from both internal and external aspects of the horror movie,and put forward a point of view: the exotic wonders to decide the degree ofacceptance of the horror movie.This paper is divided into three chapters, and the preface details the theoreticalbackground and the premise of the theory of building a culture of consumption by abrief discussion on the consumption and creation of image consumption landscapefilm.From the consumption of the genre movie introduce this type of horror film,considered consumer spawned a genre movie, and that produce a horror film. Horrorfilm as an important market-pull type movie in different regions has certain common characteristics, and such universal acceptance if beckons the collective consensus ofpsychological questions, and put this word for the building of the theory foundation.The first chapter through the introduction of the psychological researchliterature, use the psychological theory directly to analyze the inside and outsidelogic of the horror movie, and detailed the psychological makeup of the fears as wellas its object, pleasure, and seeking an interpretation for consumption of the horrorfilm by Freuds theory. Article detailed the psychological makeup of fear, objects, andhow to generate pleasure, in the author’s capacity. Freudian theory be used toanalyze internal psychoanalysis logic, focus show horror movies subconscious self,dream, life and death instinct, trying to show that the spirit behind the analysis of thehorror movie sense.The second chapter detailed the nightmare narrative mechanism dissect bothEastern and Western horror film and its way of constitute and some rules, in anattempt to show how to use the camera Horror manufacturing nightmare and fear.The conceptions of space suspect, sources of fear of death anxiety, sadism of theprevious chapter be exploited by the lens mode in this chapter.By the way ofconstitute of specific videos paragraph film this part prove how to use theseconceptions in the film. This chapter is not a purely audio-visual analysis, but merelyemphasized the lens model of horror, anxiety, fear, and its two different types, westand east, while summed up the horror theme type of movie.The third section tries to thinking about the importance of the culturalLandscape, which as a factor comply with the fear in the horror movie. Culturallandscape as fear epitaxial morphology, is the first factor which introduced theaudience to the fear.Paper raised the question of the status of cultural adventures inthe horror movie consumption, and tried by regional changes in the horror filmmarket prove the role of the cultural landscape in horror film developed trend. Thecultural landscapes are defined as the exotic wonders of the horror movie. And itexpounds the watching ethics of this wonders by the simple references of gazetheory and attractive theory, so as to improve the inside and outside of the horrorfilm logic.