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On The Development Track Of Chinese Painting Humanistic Spirit

Posted on:2014-11-09Degree:MasterType:Thesis
Country:ChinaCandidate:J YangFull Text:PDF
GTID:2265330401471271Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This paper is divided into three parts, first part of" Humanism" to be elaboratedspecificly, then take the time as a clue, from western the earliest human thought beganto Renaissance and Renaissance period differs after humanistic spirit in painting avariety of expression, regardless of age or argument is different schools of painting,painting works throughout the humanities thought core--on" people" of concern.The second part mainly discusses the humanistic spirit in the Chinese oil paintingin performance, but also take the time as the stage, through the different period ofdifferent manifestations, analysis and demonstration of the humanistic spirit as thecore values of Chinese oil painting of the evolution and characteristics of the westernhumanism and comparison.The third part is the previous two parts as the basis, further demonstrates thebackground of Chinese culture and Humanism characteristic, and in realism,performance or more other forms of painting it is always the core ideas, concerns andto explore the core value and significance, will be in today’s seemingly chaotic artisticcreation situation make clear the development direction, as the basis for theinnovation of painting language and form, deepening the connotation of work, todetermine their coordinates will not deviate from the track.
Keywords/Search Tags:Humanism, The core idea, Collective consciousness, Self-expression, Times the sensitivity
PDF Full Text Request
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